The Pattern That Repeats

Read enough history and a pattern begins to surface, one that has nothing to do with the century, the country, or the faith involved. A woman speaks with authority, and she becomes dangerous. A woman leads, and she becomes unnatural. A woman refuses to be silent, and she becomes immoral. The names change. The centuries change. The mechanism does not.

Consider Jezebel, queen of Israel in the ninth century before the common era. She arrived in Israel as a foreign princess trained in statecraft, fluent in the politics of courts and temples, and accustomed to the religious authority that Phoenician queens traditionally held. In the centuries that followed her death, that authority was rewritten into something else entirely. The woman who once presided over her own court became, in the retelling, little more than a symbol of sexual and moral corruption. A queen was turned into a warning.

The same mechanism reached Mary Magdalene centuries later. Early Christian tradition remembered her as a companion of Jesus, a witness to the resurrection, and by some accounts a teacher and leader in her own right, sometimes named the Apostle to the Apostles. Yet by the sixth century, a pope’s sermon had folded her identity together with an unnamed sinner elsewhere in scripture, and for more than a thousand years afterward, she was remembered primarily as a repentant prostitute rather than as the apostle she had been. A leader was turned into a cautionary tale.

Arsinoe IV of Egypt tells a similar story with a sharper edge. At roughly fifteen years old, she escaped captivity, allied herself with Egypt’s army, and was proclaimed queen. Under her command, Egyptian forces laid siege to Julius Caesar himself, cutting off his access to fresh water and driving his troops back from the harbor of Alexandria, forcing the most powerful man in the Roman world to abandon his armor and swim for safety. Ancient historians writing for Roman audiences remembered her afterward mainly as a treacherous rival to her sister Cleopatra. A military commander who once made Caesar retreat was reduced to a footnote in someone else’s rivalry.

Boudicca of the Iceni faced the same treatment from a different angle. She led a coalition of British tribes in open rebellion against Roman occupation, commanding a force large enough that Roman writers themselves struggled to agree on its size. Roman historians, writing from the perspective of the empire she fought, remembered her less as a sovereign defending her people and more as a symbol of savagery to be feared. A freedom fighter became a barbarian in the story told by the side that eventually won.

And centuries later, in the founding years of the United States, Abigail Adams corresponded constantly with her husband John, offering political counsel that shaped decisions made at the highest levels of the new government, while she herself could not own property, sign a contract, or cast a vote. Popular memory has often reduced her to a supportive wife in the background of her husband’s career, rather than the sharp political mind she was, one who directly asked the nation’s founders to remember its women.

The details change with every era. The mechanism does not. A woman with power is recast, softened, sexualized, or erased until she fits more comfortably into the story a patriarchal system prefers to tell. Ribs of an Old Tree follows that mechanism across nearly three thousand years, and asks a simple question that still matters today. If the pattern is this old, and this consistent, what will it finally take to break it.

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